Deviating from the Flowery & Honing Sounds

After reading Ezra Pound’s essay, ‘”A Retrospect” and “A Few Don’ts,”‘ on poetic theory, I’m compelled and frightened by whatever poetry has to offer me, specifically in terms of getting to the point. As a writer who basks in prose, I find the idea of shedding description to create an image intimidating. But although this may be the case, while reading Pound’s ideas and critiques on what poetry should do, I started to realized how much I am willing to improve in my own writing and that what I’m going to learn is going to help with my lyric essays. Because why would you flower something that doesn’t watering? Ideas can stand for themselves and people can interpret them in any way, regardless of the jargon we want to add. A picture is worth a thousand words and so does a word, or phrase if you look at it closely enough.

But although I was touched by the remark brevity, what moved me the most was Pound’s emphasis on rhythm and sound. Even the way Pound articulated himself drew me into the ideas he was elucidating: “Let the beginning of the next line catch the rise of the rhythm wave.” After reading that line, I took note of how a poem has the potential to transport you to a whole new field of emotions. Pound offered tips on how to make music of your thoughts, “A rhyme must have in it some slight element of surprise if it is to give pleasure,” and I started thinking of the particularities in how¬†emotions and thoughts sounded like. How could you put that on paper?

Needless to say,¬†‘”A Retrospect” and “A Few Don’ts”‘ has sparked my interest in the transformations to come.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.